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Engagements:

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​​Les Arts Florissants/La Descente d'Orphée aux Enfers​

Bill Christie

 

Lingotto Auditorium Giovanni Agnelli September 9th

Torino, Italy

Teatro del Verme September 10th

Milan, Italy​​​​​​​​​

Festival d'Ambronay September 12th

Ambronay, France

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Photo by Cristina Cutts

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Handel's Esther

Mountainside Baroque September 26th, 27th
Cumberland, Maryland

Winner's Recital

Emerging Artists Foundation October 2nd
Bethesda, Maryland

Split the Lark

Italian Opera in the Age of the American Revolution

Columbia University October 19th
New York, NY

Beethoven's Mass in C- Daniel Hege

Binghamton Symphony November 13th
Binghamton, NY

Handel's Messiah- Daniel Hege

Wichita Symphony December 6th

Wichita, Kansas

 


Mozart's Exsultate jubilate- Naomi Woo
Sarasota Orchestra December 23rd

Sarasota, FL

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The Imposter Unmasked

Opera Lafayette February 27th, March 1st

DC & NYC

 

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Check back for more dates!

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Photo by Jiacheng Xiong

"Sarah Fleiss, in the role of Proserpine, [employed] a very legato and evocative singing style."

 

-ÓPERA ACTUALLes Arts Florissants/La Descente d'Orphée aux enfers

"Sarah Fleiss as La Poésie was playful [with] her quicksilver high soprano... and Proserpine, a character far removed from the lightness of La Poésie... she performed with affecting dignity."

 

-SEQUENZA21Les Arts Florissants/La Descente d'Orphée aux enfers

"Twirling and impeccably characterized..."

 

-FORUM OPERA, Les Arts Florissants/La Descente d'Orphée aux enfers

"Sarah Fleiss embodies Poetry as well as Proserpine with naturalness; her voice, with its laughing timbre, fills with drama as she develops her musical phrase to capture the spectator with a melancholic sweetness."

 

-OLYRIX, Les Arts Florissants/La Descente d'Orphée aux enfers

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