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Engagements:

Split the Lark​

Italian Opera in the Age of the American Revolution

Columbia University October 19th
New York, NY​​​

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​​Beethoven Mass in C

Binghamton Symphony November 13th
Binghamton, NY

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Handel Messiah

Wichita Symphony December 6th

Wichita, Kansas

 


Mozart Exsultate jubilate
Sarasota Orchestra December 23rd
Sarasota, FL

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Photo by Cristina Cutts

The Imposted Unmasked

Opera Lafayette February 27th, March 1st

DC & NYC

 

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Liszt Missa Solemnis

Montgomery County Chorale & Orchestra​

Lansdale, PA

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Sitcom (World Premiere)

Opera Philadelphia May 19th-23rd

Phliadelphia, PA

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​​​​​Check back for more dates!

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“Sarah Fleiss, another remarkable soprano, portrays a very convincing Poésie, then a Proserpine of astonishing naturalness, who find the words and the right emotions to convince the impassive Pluto..."

 

-CLASSIQUE NEWS, Les Arts Florissants/La Descente d'Orphée aux enfers

Photo by Jiacheng Xiong

"Sarah Fleiss, in the role of Proserpine, [employed] a very legato and evocative singing style."

 

-ÓPERA ACTUAL, Les Arts Florissants/La Descente d'Orphée aux enfers

"Sarah Fleiss as La Poésie was playful [with] her quicksilver high soprano... and Proserpine, a character far removed from the lightness of La Poésie... she performed with affecting dignity."

 

-SEQUENZA21, Les Arts Florissants/La Descente d'Orphée aux enfers

"Twirling and impeccably characterized..."

 

-FORUM OPERA, Les Arts Florissants/La Descente d'Orphée aux enfers

"Sarah Fleiss embodies Poetry as well as Proserpine with naturalness; her voice, with its laughing timbre, fills with drama as she develops her musical phrase to capture the spectator with a melancholic sweetness."

 

-OLYRIX, Les Arts Florissants/La Descente d'Orphée aux enfers

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